June 18th, 2018

Leslie was very brave

Today I played the Your Mom Too half of England's Newest Hit Makers for Clare.* She liked it a lot. She said, "Leslie was very brave." "How so?" I asked. She said, "That wasn't a time [1986] when girls were allowed to sing like that." I responded, "That was exactly the time when girls were allowed to sing like that." More accurately, to the extent there ever was a time when girls were allowed to sing like that, that time (1978 through the early 1990s, roughly) was it,** for girls who could connect via mail or mag or via people they knew to the postpunk music world.

Nonetheless, Leslie was very brave.

I find it really hard to describe the music in a way that doesn't mislead. She/we were doing something that few others were. You could say "lo fi" but nothing else in that category sounds like it. Vaguely, "postpunk" and "experimental," which places the sound socially but not musically. I'd say "a cross between Teenage Jesus And The Jerks and Billie Holiday," which probably won't bring anything to mind especially to the people who've heard Teenage Jesus since no sound will probably make sense as a cross between the two. (We were less screechy than Teenage Jesus and less in tune than Billie and we deliberately "detuned" our guitars though we tried to then keep the same detunings, which means there were tonal relations that we were quasi-replicating, even though we couldn't tell you what they were.)

Teenage Jesus And The Jerks "Orphans"

Billie Holiday/Teddy Wilson "I Must Have That Man"

Footnotes and program notes in the comments.

This entry was originally posted at https://koganbot.dreamwidth.org/370277.html. Comments still welcome here, there, and anywhere.