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Don't be a little b1tch with your chit-chat
I take my critical stand in favor of... Ke$ha? Yeccch!

Great convo over on the Singles Jukebox, in full thrall even as I type this, about "Blah Blah Blah" which I reviewed at the last minute expecting to give it a 6 or so and discovered to my surprise that I was at a 9.

This was my Jukebox review:

Tunefully pretty clatter that's clatter nonetheless, fusillades of frosting from all sides, chocolate kisses battling with sugar squirts, totally blah-blah-blah appropriate. Wiseacres 3OH!3 show up sounding proper and somnolent in comparison and are instantly obliterated by Ke$ha's cotton-candy eruption.

And this was my comment, in response to Alex O. saying "She dares to be stupid and vapid and revels in it, and makes it sound attractive":

She may simply be stupid and vapid – I haven't done the research. She's probably just falling into clichés of the wild life as her path of least resistance, though I'd like to project desperation onto her in order to imagine depth. I hated her from the get-go and may still hate her. So I went into this thinking "catchy enough for a 6″ and came out with a 9; what happened is that I hooked into the high-pitched pretty chaos and the pulse that's quite a hot throb underneath and that pulls everything together, and as sound this began making "You Belong With Me" and "I Kissed A Girl" and "3″ and "I'm On A Boat" and "Loba" and "Tik Tok" and "Heels" and "Untouchable" and "Outta My Head" and "Wobble" and "Cry For You" and "Disturbia" seem too pale and bare and languid in comparison. As sound, that is.

In other words, this rocks. The nearest equivalent I can think of is Tommy James & The Shondells' "Mony Mony," and this has a throb that beats that.

Which doesn't necessarily make "Blah Blah Blah" better than all those – though maybe it does, my viscera often holding sway against everything else; but I'm not a one-issue voter. But if I were still thinking of going anywhere as a musician, I'd try to figure out what Ke$ha and her producers did here and ask myself, "How can I harness that?"


Tommy James & The Shondells

EDIT: Oh yes, and I spent half an hour last night doing a quick skim of John Leland's singles columns in Spin in the late '80s, unsuccessfully looking for what my memory told me was his recalling how he once said to his mom that he liked rock 'n' roll because it was noise, and by noise he meant Tommy James, not the Stooges. Maybe my memory is wrong here, and it was someone else, or my imagination.</failed fact check>
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When I blurbed "Tik Tok" for the Jukebox I mentioned L'Trimm! (However, I said that Ke$ha barely belonged in the same sentence with L'Trimm. And the 6 I gave "Tik Tok" was too low by two points.

The Shondells were early punk! Or is that what you meant? (When Dave Marsh coined the term "punk rock" in 1971 he was talking about a ? And The Mysterians re-union gig, 1966 having been the year when ? And The Mysterians had their one hit, and when Tommy James had his first.)(But when Nick Tosches wrote "The Punk Muse" the summer before Marsh's piece, he was talking about the Heartbeats and Dylan.)

My nebulous thought was for the median of the stretch bracketed by the Shondells and L'Trimm (hence the half-assed math notation).

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